top of page
Using Swing and Sway for More Expressive Movement
This is where dancing starts to look truly “ballroom.” Swing creates flow and travel Sway adds shape and expression Done correctly, these are subtle and controlled—not exaggerated. Common mistake: forcing sway from the upper body instead of allowing it to develop naturally from movement. Practice tip: Focus on swing first. Sway should be a result, not something you add artificially.
Janet Bosson
Apr 301 min read
Advanced Connection: Subtle Lead and Responsive Follow
At intermediate level, connection should become quieter and more precise. Leaders: Use body movement, not arms Give earlier, clearer signals Followers: Stay present and responsive Avoid anticipating The goal is to make dancing feel effortless and almost invisible. Practice tip: Dance with reduced arm tone and rely more on body movement. It will expose where your connection really works—or doesn’t.
Janet Bosson
Mar 311 min read
How to Develop Consistent Technique (Not Just When the Teacher Is Watching)
Many dancers perform well in class—but lose quality when dancing socially. Consistency comes from: Repetition with awareness Slowing things down Self-correction You need to recognise when something feels “off” and fix it yourself. Practice tip: Dance a full routine slowly and check: posture, timing, balance, connection. Don’t rush through mistakes—solve them.
Janet Bosson
Feb 281 min read
The Difference Between Dancing Steps and Dancing Well
At intermediate level, most dancers know the steps. The real question is: how well are you dancing them? Good dancing is no longer about memorising figures—it’s about: Consistent timing Controlled movement Clear partner communication Two dancers can perform the same routine, but the one with better technique will look smoother, more musical, and more confident. Focus shift: Stop asking “What comes next?” and start asking “How can I do this better?” Practice tip: Take one basi
Janet Bosson
Jan 311 min read
bottom of page
